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Join host Michael Perry as he hosts another edition of Tent Show Radio from Lake Superior Big Top Chautauqua.

Tent Show Radio is a weekly variety music series showcasing live performances from Lake Superior Big Top Chautauqua. Featuring author, humorist Michael Perry, and nationally and regionally renowned performers, Tent Show Radio is heard every week on listener-supported radio stations across the country, and the world on the Internet. Each week features a different live performance from Big Top Chautauqua’s summer season of concerts and musical productions. Tune into Tent Show Radio and bring Big Top Chautauqua into your home.

 

Feb 27, 2017

After struggling in Music City for several years, Kris Kristofferson achieved remarkable success as a country songwriter at the start of the 1970s. His songs “Me and Bobby McGee,” “Help Me Make It Through the Night,” “Sunday Morning Coming Down,” and “For the Good Times,” all chart-topping hits, helped redefine country songwriting. By 1987, it was estimated that more than 450 artists had recorded Kristofferson’s compositions.

His renown as a songwriter triggered Kristofferson’s successful career as a performer and that, in turn, brought him to the attention of Hollywood, leading to his flourishing career as a film actor. Kristofferson has acted in more than 70 films.  In 1977 He won a Golden Globe for Best Actor in “A Star Is Born.”  He’s appeared in cult favorites including the “Blade” trilogy, “Lone Star,” “A Soldier’s Daughter Never Cries,” “Alice Doesn’t Live Here Anymore,” “Blume In Love,” “Cisco Pike,” and “Pat Garrett and Billy the Kid.” Recent films include “Fast Food Nation,”  “Dreamer: Inspired By A True Story,” “The Jacket,” “Silver City,” “He’s Just Not That In To You,” and “Dolphin Tale.”

Heralded as an artist’s artist, the three-time GRAMMY winner has recorded 29 albums, including three with pals Willie Nelson, Johnny Cash and Waylon Jennings as part of the Highwaymen. Kristofferson has spent three decades performing concerts all over the world, in most recent years in a solo acoustic setting, which puts the focus on the songs. “There’s an honesty in the sparseness.  It feels like direct communication to the listener,” he says.  “I still have more fun when I’m with the band, but being alone is freer, somehow.  It’s like being an old blues guy, just completely stripped away.”